L' E L A N
Nil novi sub sole.
L' E L A N
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drown-yourfears:

"Falling in love"this is so accurate 
drown-yourfears:

"Falling in love"this is so accurate 
drown-yourfears:

"Falling in love"this is so accurate 
drown-yourfears:

"Falling in love"this is so accurate 
drown-yourfears:

"Falling in love"this is so accurate 
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dada4you:

Emma Hanquist
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aseaofquotes:

Oscar Wilde, The Picture of Dorian Gray
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archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
archatlas:

Arquitecturas/Estancias Bleda y Rosa
"While we were working on their series Cities, we started to photograph spaces related to the urban. This was the start of our special attention to and interest in symbolic and monumental spaces—palaces, noble villas, majestic cities—that manifest a dual nature: they were centres of power and decision-making, but also lived spaces, places of privacy for a variety of personages. This condition also speaks of a dual temporality: that which corresponds to the time of the historic event and that which belongs to personal biographical time. This particular tension in the nature of the spaces in Rooms is caught and accentuated through the fragmentation of architecture, with columns, floors or corners calling up a palpable and intimate space and resisting monumentalization. Our images do not describe these rooms or place us in them, but cause us to experience them and return to them through evocation."
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piczo photography
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margadirube:

tamsinjohnson:That palette 
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lotusunfurled:

Going up the temple by Zalacain 
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badbananas:

Bridget Collins featured in Issue 1 Issue 1 brings together photographers Andy Massaccesi, Bridget Collins & Estelle Hanania in a curated poster pack. 
Order from our SHOP
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designcloud:

Peter and Jane Series by Miriam Elia
designcloud:

Peter and Jane Series by Miriam Elia
designcloud:

Peter and Jane Series by Miriam Elia
designcloud:

Peter and Jane Series by Miriam Elia
designcloud:

Peter and Jane Series by Miriam Elia
designcloud:

Peter and Jane Series by Miriam Elia
designcloud:

Peter and Jane Series by Miriam Elia
designcloud:

Peter and Jane Series by Miriam Elia
designcloud:

Peter and Jane Series by Miriam Elia
designcloud:

Peter and Jane Series by Miriam Elia
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deberiasserungustodehelado:

Del álbum “Los gatos y sus escritores”
Julio Cortázar
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